“Currently I am interested in mining the zone between two and three-dimensional space. Drawing from aspects of ceramics, sculpture, printmaking, and photography, the objects I make are attempts at seeing the volume of a skin. At what point does an image become ink on paper and when does a substance become insubstantial? Thus, I believe these material experiments step beyond questions of materiality into an exploration of perception itself.

In my work, I am driven by a sense of discovery that develops as I investigate materials and their properties. I use methods such as mold-making, scanning, and photography to capture material moments. These samples can then be printed, cast, layered, and distorted. This process fascinates me, because like our own constructed histories, the objects are imbued with layers of material memory that echo and obscure the original moment. Like the shift from experience to memory, all the transformations that take place are deviations from the original event, yet each transformation carries with it a new truth.”